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Lectures on the Hoben and Juryo Chapters of the Lotus Sutra
by SGI President Daisaku Ikeda


The 'Jigage' Is a Song in Praise of the 'Greater Self'

The morning sun of the new century has arisen in the sky above the world, and in the great sky of our hearts.

The SGI is the sun of the world. Each of us, therefore, is a sun-like existence. The brilliance of our lives illuminates our homes, our communities and society at large.

The sun burns on its own. It is a scorching ball of fire. Nichiren Daishonin says, "In the breast of the Buddha is a great fire" (The Major Writings of Nichiren Daishonin, vol. 7, p. 98). It is the fire of great compassion that impels the Buddha to go into the midst of those laboring under suffering and thoroughly burn away their misery. It is the light of the Buddha's great wisdom to lead all people to enlightenment.

The fire of the Buddha continues to burn eternally. It definitely never goes out. The Daishonin says that even if the entire world were underwater and about to be washed away, still this huge fire could not be extinguished (MW-7, 98).

The Buddha continues to illuminate people's lives eternally throughout the future. The source of this light is the "Life Span of the Thus Come One" (16th) chapter of the Lotus Sutra. And the jigage section that concludes the chapter contains the inextinguishable flame of the Buddha's immense compassion and the light of the Buddha's great wisdom.

We will now at last commence our study of the jigage section.

What Is the 'Jigage'?

In the first place, what does ge in jigage mean? It is a transliteration of the Sanskrit term gatha, which is also sometimes rendered as keta or kada. In short, it means "verse."

To put it another way, a text that relates the Buddha's teaching or that praises the virtues of the Buddha and bodhisattvas through verse is termed ge. And ge are Buddhist scriptures that are easily recited and memorized. Since this ge begins with the words ji ga toku burrai, it is called the jigage.

The English poet Percy Bysshe Shelley (1792-1822) remarked, "A great poem is a fountain forever overflowing with the waters of wisdom and delight."1 The jigage is truly an inexhaustible wellspring of wisdom and delight. It is a true paean to freedom.

The benefit that accrues to those who read and recite the jigage is vast and immeasurable.

Nichiren Daishonin says that the jigage "represents the soul of the twenty-eight chapters of the Lotus Sutra" (MW-7, 111). He also states:
The Buddhas throughout the ten directions looked up to the Jigage as their teacher and attained Buddhahood. The Jigage is like a father and a mother to the persons of the world.   A person who embraces the Juryo chapter of the Lotus Sutra is sustaining the life of the Buddhas. (MW-7, 111-12)

He teaches that the lives of all Buddhas of the past, present and future, as well as in the ten directions, flow inexhaustibly through each of our lives. Accordingly, he indicates, to become the enemy of one who embraces the jigage is tantamount to becoming an enemy of all Buddhas over the three existence's of past, present and future.

Just what is the life of the Buddha contained in the jigage that the Daishonin praises so highly?

The prose section of the "Life Span" chapter that we studied last time [Jan. 26 World Tribune] concludes with the words, "At that time the World-Honored One, wishing to state his meaning once more, spoke in verse form, saying..." (LS 16, 229).

The teaching that the Buddha expounds in the prose section of the "Life Span" chapter is indeed repeated in the jigage. It might be said that the jigage was born of the Buddha's determined spirit to somehow convey, and enable all people to understand, this teaching.

But the jigage does not only repeat the teaching of the chapter's prose section. The jigage is still more clearly intended for the future and more strongly imbued with the Buddha's compassion.

The 'Jigage' Is Directed Toward the Future, Toward Humankind

The prose section of the "Life Span" chapter reveals Shakyamuni's eternal life. It clarifies that he attained the way long ago, in the remote past, and reveals that he has ceaselessly continued to instruct people in this saha world during the interval since his enlightenment. And for the benefit of future generations, it explains that the Buddha's life span is such that he has "constantly abided here without ever entering extinction" (LS16, 227).

However, the jigage expands further upon these words directed to the future, and lauds still more highly the Buddha's inextinguishable life. This is the interpretation of the Great Teacher T'ien-t'ai of China (Hokke Mongu [Words and Phrases of the Lotus Sutra], vol. 10)

The jigage explains that whenever people seek the Buddha, the Buddha appears in the world, and the land where the Buddha appears becomes a Buddha land of peace and tranquillity.

But if the Buddha constantly abides in this world, without ever entering extinction, then why cannot people see him? And what can they do to become able to see him? This, too, is explained in the jigage. It might be said that the jigage reveals the key to the formation of the profound bond between the Buddha and disciples of seeking mind, the eternal bond of mentor and disciple existing over the three existence's of life. As I mentioned before (Sept. 8, 1995, World Tribune), Shakyamuni starts preaching the "Life Span" chapter in response to a question put to him by Bodhisattva Maitreya. But the "Life Span" chapter taken as a whole was not expounded merely for the benefit of Maitreya and the others assembled there. Rather, it is a teaching clearly intended for the people of later ages, for us.

Accordingly, the true audience of the "Life Span" chapter is composed of all people in the world after Shakyamuni's passing and, in particular, those of the Latter Day of the Law. The jigage is in truth a message for future generations of humankind.

Also, as you know, the final line of the jigage explains the Buddha's constant wish: "How can I cause living beings to gain entry into the unsurpassed way and quickly acquire the body of a Buddha?" (LS 16, 232). The jigage in its entirety exudes the Buddha's compassionate desire to somehow enable all people to establish in their hearts a state of true happiness.

Each word of the jigage is imbued with the Buddha's compassion to enable all people to become Buddhas. From the standpoint of Nichiren Daishonin's Buddhism, everyone is an entity of the Mystic Law; all people are Buddhas. And the jigage praises the benefit we attain when we open our eyes to this truth.

The jigage section of the sutra profoundly calls out to each of us to advance along the path of truth and of genuine happiness --- as clarified in the prose section of the chapter --- that is open to all people.

The Daishonin says that each character of the Lotus Sutra is a "golden Shakyamuni" (MW-5, 164). And he explains that when we read or recite the jigage, whose golden characters number 510, each of these characters become a sun and a Buddha, illuminating all worlds and the entire universe, and leading all people to happiness (MW-7, 113).

The jigage illuminates the lives of all people. Every day in the morning and evening we recite this scripture, the ultimate treasure of humankind. Therefore our benefit is great beyond measure.

Not only do we recite the jigage, but we also practice it and prove its truth. We are communicating and spreading the benefit of the jigage to all people. Nichiren Daishonin and all Buddhas of the three existence's and the 10 directions no doubt praise our efforts. How wonderful! How truly fortunate we are!

The 'Jigage' Represents Oneself

What it means to say that each character is a Buddha is that the jigage expresses the life of the Buddha in its totality.

In the "Record of the Orally Transmitted Teachings," Nichiren Daishonin says:

The ji (self) of ji ga toku burrai (since I attained Buddhahood) represents the beginning, while shin (body) of soku joju busshin (quickly acquire the body of a Buddha) represents the end.

In other words, the jigage from beginning to end elucidates the self [because ji plus shin form the word oneself]. (Gosho Zenshu, p. 759)

In other words, the Daishonin teaches that the jigage from beginning to end explains the Buddha's self or life.

Nichiren Daishonin indicates that the body of the jigage in its entirety, coming between the words ji and shin, signifies the actions and conduct of oneself. Thus the "Record of the Orally Transmitted Teachings" says, "The jigage section represents the 'body that freely receives and employs,' or the 'body of limitless joy"' (Gosho Zenshu, p. 759).

The body or self that "freely receives and employs" represents realizing that the entire universe is in fact oneself and freely receiving and employing the power of the Mystic Law that is the wellspring of universal life. In other words, the Daishonin here indicates that the jigage expresses the state of life of absolute freedom of the original Buddha himself.

The jigage elucidates the vast and eternal state of life of indestructible happiness that is free of all hindrance and, moreover, exists forever, freely and joyously acting throughout the universe.

The "body that freely receives and employs" also refers to the ordinary outward appearance of the Buddha. It indicates the form of ordinary people as distinguished from that of a Buddha assuming august attributes.

The second Soka Gakkai president, Josei Toda, said that the jigage "is the scripture of the Buddha himself, and the scripture of us ourselves." It might be said that the jigage is a poem that praises the "greater self" and sings of the totally free state of life of this self.

The Daishonin says, "The example of one person represents the impartial truth inherent in all human beings" (Gosho Zenshu, p. 564). The jigage celebrates the self of the original Buddha of kuon ganjo and at the same time praises our own selves.

"One's-self I sing."2 With these words, Walt Whitman, poet of the American people, begins his paean to humankind, Leaves of Grass.

Whitman, his words full of strength and conviction, sings:

In all people I see myself none more and not one a barley-corn less....
I know I am solid and sound....
I know I am deathless....
I know I am august....
I exist as I am, that is enough.3

Whitman, too, perceived a holy and most noble light within the human being, within the self. His spirit truly resonates with that of the jigage. Buddhism teaches the path whereby all people can become aware of this original greater self.

Shortly after he began his journey of propagation, Shakyamuni called out to a youth whom he met in the forest: "Seek out your self!"

"Seek out your self!" "Know your true self!" "Start digging right at your feet!" Herein lies the spring of happiness and the path of hope.

Therefore, President Toda always encouraged people to "live your own life," to "live true to yourself":

Whether you suffer from poverty or failure in business, or you are miserable because of marital discord, or you get injured falling over a charcoal brazier, ultimately all such sufferings are your own life. They are manifestations of the living phenomenon that is your self. When we view things in this way, we see that all occurrences in our daily existence are changes in our lives. The important thing, therefore, is to try to cause more positive changes and ceaselessly make efforts to secure happiness.

So the key is to live true to yourself.... You have to realize that living true to yourself is the only way. To live based on other people or circumstances, always thinking, "Things would be fine if that person would only do such-and-such," or "If the world were only like this then I could be happy," is a mistake, is it not?

No matter where we go, we can never escape from our self. Happiness and misery, everything in life, is contained in the single word oneself. Ultimately, victory or defeat in life comes down to a matter of disciplining and dignifying this inescapable thing that is the self.

A Joyous and Cheerful Year of Great Victory

One must not have a weak self that is blown this way and that depending on the direction of the wind. A person who can profoundly distinguish between true and false and who possesses a solid self will not be swayed by trivial rumors and hearsay.

We have to develop a towering self. The jigage praises the wonder and greatness of the true self, of the self that basks in the realization: "I am originally a Buddha!"

Last year when I visited Nepal, I spoke with some children of a local village near Katmandu on a hill commanding a fine view of the Himalayas.

They were all intelligent and charming. Their faces were radiant and their eyes shone. I said to them: "The Buddha was raised in view of the great Himalayas. He strove to become as great as these mountains. He cultivated himself to become a person of victory and towering majesty."

"Construct a self that is as majestic as the Himalayas!" This is the spirit of Buddhism. We can all definitely develop a self that is crowned with such victory.

This year, while joyously singing a song, while cheerfully humming the poem of life, let's advance with composure and dignity --- for the betterment of our own lives, for the happiness of others, and for world peace.

Our conduct is a great poem in praise of the self that shines eternally over the three existences.


Notes:

  1. Percy Bysshe Shelley, Shelley's Defence of Poetry, ed. H.F.B. Brett-Smith (Oxford: Basil Blackwell, 1923), p. 48.
  2. Walt Whitman, Leaves of Grass (London: Everyman's Library, 1947), p. 1.
  3. Ibid., p. 41.

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